Gallery Day: Gone Graphic Galore

If all went according to plan, it should be Sunday and I should have arrived in Haiti last night.   So, in honor of that arrival, I’ll share some graphic drawings done over the last decade, some more recent than others.  I’m wanting to upload this art before I leave the US and schedule these pieces to post during my travel and transition.  You’ll see, I have a thing for “eyes.”  Hope you enjoy!

Triple “A”: Art, Apology, and Anniversary

A few updates on this travel day.  (Yes, hopefully I’ll be in Port-au-Prince by Saturday evening.)  Be sure to keep reading, as I’ll share some new art at the end.

First, I want to apologize for not reading anyone’s blog yesterday.   Leaving a house for several months and traveling internationally with a dog require a good bit of preparation.  Given this, I’ve been insanely busy over the last couple of days, so please forgive this lapse.  Actually, reading your posts is a favorite activity of mine, so I promise to get back to regular reading early next week.

Second–yesterday, it was a month since I was Freshly Pressed, so since I’ll be traveling today, I thought you might enjoy looking at that post.  I know it’s not been that long, but so many of you have only begun reading my blog in the last 2 or 3 weeks, a decent number may not have seen it yet.  If you haven’t read “A Tale of Miserable Failure: Moanings of a Second Language Learner”–about my struggle to learn French–click here.

In the event that you have read that piece, I’ll also include here a few pieces of art, you might enjoy.  These include a number of color pencil drawings I did a decade or so ago:

I will try to upload more art before I leave the US and make it available between now and my arrival in Port-au-Prince.  No guarantees, but I will try!

Haiti’s Greatest Gift: notes on the nature of giving

It amazes me how often Haiti is a study in extremes, not only between the most obvious of oppositions: rich/poor, white/black, have’s/have-not’s—but also between the more subtle and insidious of extremes—the ones I notice once I’ve returned to the US and realized all over again just how much we as Americans have and just how much the people of Haiti don’t.

I understood this even more clearly yesterday when I thought about how well “we-with-the-leisure-to-read-blogs” have it, that one of our biggest anxieties during the Holiday Season is the worry over whether we’ve gotten Uncle Joe or Cousin Rita just the right gift—from perfect stocking stuffer to the most ideal of electronics—iPhone, iPad, iPod.  It’s i-ronic just how much “I” is in our gift-giving, how many “me’s.”

I realized that the leisure and disposable income gift-giving presumes suggest profound things about these two countries I now call home.  Namely, if we have the time and energy, not to mention the funds, to spend on gifts, then we obviously aren’t worrying about keeping our children safe from cholera, aren’t worrying where our next meal might come from, aren’t worrying how we’ll keep our babies dry during the rain at night, the torrential downpours that turn the floors of our tents into pools of liquid, dripping mud.

However, sometimes I think that my graphic, black and white drawings, even my poems, express something about the extremes of Haiti that these well-chosen words of explanation fail to communicate.  So in closing, I offer some recent, some not-so-recent drawings that try to articulate in ways these words do not—the kinds of graphic contrasts that keep me awake at night—not only in Haiti—but in other places, as well.  Below the images are used to punctuate a poem I wrote some years ago, one written in the voice of someone displaced, alienated, alone—someone struggling to climb up out of endlessly hopeless circumstances, someone not unlike the poorest of the poor in Haiti.

On Rattlesnake Mountain

At dusk we lock

                the iron gate 

                                                collecting bones

                bleached in tufts of matted grass

                scaffolding the bluff

I insist on picking them

                a carcassed bouquet

                                                of cow bone

                picketting our path

                back up the crooked slope

Eye sockets shape

                a separate ascent

                                                dead leaves

                thicken the air

                like smoke

The moths are tongueless

                it’s simple to blame

                                                the mothers

                their beaks vacant as stairs

                I climb a thicket ofdry sticks

(For a more light-hearted and truly hysterical look at the holiday, I suggest you read today’s post on “The Ramblings.”  Tori’s comment  helped me gain some of the insights I share here.)