Dancing the Event Horizon


Blogging a memoir is almost, for sure, slow suicide.  And I swear to God— if it’s not the death of me, it will, at the very least, make me old, make me crazy crazier, make me something I don’t want to be.

graphic by Patrick Spence at http://www.stopthesanity.com

It’s gonna drive me to the brink, beyond that delicate barrier between “then” and “now”—which I guess it’s meant to do—has to do.

But I’ve decided I don’t like to go there—go “then”—peer into the muck and mire of my sometimes depressed, sometimes manic past.

Do these memoirs really help people in the present, anyway?  Do readers really benefit?  Is it really worth the effort?

My partner Sara and I have been discussing these issues over the past several days—discussing my potential book about recovery from bipolar disorder—and this blog, in which I’m testing the waters—tip-toe-ing around the edges of the story, trying not to get my feet wet—

Or so Sara insists.

She says that I’m not trying hard enough—not doing the dirty work of delving deeper than the surface—not forcing myself to swim in darker waters.

And I suppose she’s right. I’m practicing the fine art of avoidance, and this post is a prime example of that maneuver.

So forgive me, folks—

I’m guilty as charged.

I don’t want to deal with the drama that was my past.  I want a story to tell that is less personal, less intimately exhausting—maybe another international assignment for Sara—maybe a story about our efforts to settle again in another crazy place on an equally insane planet—a place different from the madness that was then, from the boredom that is here—that is now.

However, my partner does disaster response—so it’s always tricky wanting work for her—dilly dallying around the edge of dire and all that.  But dire is dramatic.  And sometimes I fear drama feeds my dysfunctional self—as long as it’s not my personal drama—memoir-related—bipolar-driven drama.

However, craving adventure for adventure’s sake is a god-awful motivation—especially when one knows that drama might mean disaster-related misery for someone else.

But maybe it’s not adventure I crave as much as a simple break from memoir—maybe I don’t so much desire drama, as I desire less personal drama.

Whichever it is, I’m far from loving this aspect of myself.

Whether I’m too lazy to do the difficult work of memoir, too weak to relive a painful past, or too in love with the drama-driven life to simply settle for the here and now—none of it is good.  None paints a pretty picture of who I happen to be.

So what I’m wondering is this—

What dysfunction do you like least about yourself?

What behavioral event horizon do you dare dance around or near?

Haiti: The Art of Recovery


I’m a wanna-be artist, a sort-of, almost artist—certainly not by training and clearly not because of craft. 

I’m also an artist who has struggled with bipolar disorder, someone who appreciates the creativity that is often an unexpected gift accompanying the illness.  I’m someone who has not only made art when I was sick, but continues to create even when I am well, as an outgrowth of recovery.  In the art world I’m what would be called an “outsider” artist.  I don’t always know what I’m doing.  I just do.  Art. 

I’m also a writer and artist who has lived in Haiti for the last year with my partner.  Sara has directed an international NGO’s response to the earthquake.  But we are preparing to go home next week, and I’m thinking not only about what Haiti has given me, the gifts I will take home, but also what I’ll leave behind.

Indeed, one of the gifts I’ve given is a large piece of art, one I created for Sara’s NGO from a throw-away piece of furniture—a huge serving bar I painted last summer.

 

The bar is nearly 9 and a half feet long and lives on an upstairs patio at Sara’s office in Port-au-Prince.

It was white, ugly, an eye-sore, really.  But Sara wanted to save it.  She thought it, like Haiti itself, should be given a second chance at life, that the bar could be used for receptions, to serve meals on special occasions.  She thought I was the one to midwife this rebirth, that I was the one to take on the task, that as someone who has repurposed art as part of my own recovery, I could gift a born-again bar to the wonderful people who work here.

I loved the idea and took on the project enthusiastically, in the end creating a mixed-media piece—one that incorporates the organization’s logo in strategic places, as well as decoupaged-maps of Port-au-Prince and each location in Haiti the organization works.

I also included stories from the local newspaper, highlighting big events in the news during the months after the earthquake.

I included text from the organization’s 6-month, post-earthquake report, as well as the names of almost all the people who had worked on the NGO’s reconstruction effort—folks from more than a dozen countries around the world.

The front of the bar repeats the organization’s logo above each flower petal:

As well as the names of staff in black and white circles:

The top of the bar includes the maps and newspaper text:

However, soon Sara and I will leave Haiti; soon we’ll leave the places mapped on the bar-top at a bit of a distance, at least geographically.

And though we’ll leave when the organization’s work here is still incomplete, though in many ways it seems too soon, I’ll leave a piece of myself behind, one that I hope will serve the NGO’s mission here well into the future.  I’ll leave not only a piece of my art, but also a piece of my heart, knowing this is not really an end.  We leave but others will come.

Haiti has taught me this lesson: that indeed good things can come from our departure.   It has taught me not only how to birth a new bar, but also  how to hope, how to see potential in seeming destruction,  how to dream a new dream, how to hope a new hope.  It’s reminded me that, if art can come out of sickness, then indeed beauty can come out of the earthquake’s ruin. 

I believe that in every beginning an end is waiting to happen and from every illness or devastation a new beginning will grow.

Peace to people of Haiti—

And thank you!