A Weirdly (nearly) Wordless, (bordering on) Bipolar Week


I’m having a weird week–not wanting to write, not wanting to look back–a relatively wordless week, compared to most–a week without much in the way of memoir work, a week with fewer than usual over-the-shoulder glances.

In all honesty, I’ve had some break-through bipolar symptoms–ones that penetrate the protective barrier medication erects between me and my  manic-depressive illness.

Sara says I’ve been manic.  Though I’ve not noticed that exactly, I have felt like I was floating, like I’m hovering high inside my own head–the bulk of me shoved up above my left eye.  I know that likely sounds strange but the physical sensation is nearly always the same–floating–hovering up and to the left.

My only wish is that this mania would bring with it the creative energy I used to have when my mood was on its way up.

It used to be, when I was ill, creating felt effortless, as automatic as breathing, and I did it with the urgency and abandon of falling in love, deeply and maddeningly in love.  I could no more not create than I could not now eat or sleep or dream of waking up tomorrow in a world with less poverty, less hunger, more rights for the mentally ill and anyone living near the edge, far from the center of the bell curve that is middle American comfort.

This week creativity has taken effort.  It’s been labor-intensive and even exhausting.  This week it’s required industry and diligence, determination, duty, drive.

But it’s better than it was when in the early ‘90s I began taking antipsychotic medication and the only ones around were things like Haldol and Navane, the older generation of drugs that made me feel even less like myself than I do now.  Those drugs made me feel lethargic, zombied, and at times even, down-right dead.  They made me feel thick-headed—like I had to swim through a fog to interact with the world.  I had to fight to stay awake—to keep my eyes open—to carry on a conversation—to process language.

Then friendship felt nearly impossible–too much work to talk, to articulate, to move my mouth to form the words.  The drugs blunted everything human about me—made me lose everything and anything I loved about myself, a woman with passion, a woman who cared intensely about the world and the people around her.

All that was gone—or at least out of reach—beyond the fog I couldn’t fight or navigate my way through–the fog that was dense, thick, terrible and deep.

But the newer drugs of the 21st-century are better. The medicated me of this decade is more alive and energized than the me of 10 or 20 years ago.  Most of the time, I no longer fight the fog that separates me from the world.

Now I only fight an internal fog that keeps me, as it has this week, from the deepest and most creative places inside, from the art-making place in the center of my psyche.  This week writing has meant managing this mist, hacking through the haze between me and the vibrant, secret center where the creative Kathy waits.

a creative place in the center of my psyche

But she’s still there.  And maybe next week she’ll be easier to find.  Maybe then the two-faced, creative me–monstrous and magnificent, hideous and holy–maybe she won’t hide so deep inside.

“Writing” a Stereotype Wrong


I understand where the stereotypes come from, the ones that say government-subsidized housing is the black hole of shelter options, that filling out an application at the local housing authority is an event horizon beyond which one will never emerge regular renter, let alone home owner.

Yet, the problem with this stereotype, as with most others, is that they’re wrong—impressions formed in ignorance about issues most of us would rather ignore.  And frankly—it was an impression I shared—that is until poverty and illness forced me into this option, a worst case scenario I’d been determined to avoid at any and all conceivable costs.

I’ve shared in a previous post the benefit of friendship I found via the housing authority in Dallas.  However, the gifts I gained through government housing here in Kentucky were even more significant and life-changing.

The apartment complex I moved to in September of 2001 was  designated Section 8, a kind of subsidized housing that shelters more than welfare moms.  Some section 8 only accepts residents who are elderly or disabled.  Briarwood Apartments in Lexington is one of these.

Briarwood boasts 4 white brick buildings, three stories a piece.  Each has 51 one-bedroom apartments, its own library, laundry room, and lobby—as well as a community room where folks can socialize—a space residents can reserve for free, if they hope to host a family reunion or some other non-profit-making activity.  I use the word “library” loosely, as these were actually called “craft rooms.”  However, I never saw a single craft done in these spaces, and there were way more games and puzzles than books.  Still the craft room/library was a quiet, air-conditioned place to read Harry Potter or Sylvia Plath on hot and humid summer afternoons.

But what matters most about Briarwood is that it became a kind of haven for me, a place from which I emerged 4 years later nearly whole and healthy.

Kathy's Briarwood apartment, art table in foreground

I use the word “haven” here purposefully, as that’s exactly what the place was for me—one that sheltered and nurtured—a place I still think of fondly—one I would recommend to anyone needing an affordable and safe place to live, especially during difficult times.

It may have helped that I like old people—anyone aging who even remotely reminds me of my maternal grandmother—but then nobody ever really dislikes senior citizens, do they?  I mean, there aren’t exactly a lot of knife-wielding geriatrics wrecking havoc at local nursing homes. 

What I’m trying to say is that this was an easy group to get along with.  No crime, no noise—not even any walker or wheelchair races in the hallways.  If anything it was too quiet—a place where the biggest event of the day was the arrival of the mail carrier, who was greeted 6 mornings a week like a cancer-conquering hero—the bearer of tidings from the outside world.  Clearly, this was not a demographic that emailed much or got their news, medical or otherwise, via smart phone—not a tweeting, googling kind of group, for the most part. 

Kathy, Briarwood community room, building A, 2005

At any rate, I hope you’ll  tune in over the next several weeks, when, among other things, I’ll share some highlights about my years at Briarwood, introduce you to some residents who changed my life for the better, and maybe even dispel some housing myths, some misunderstandings folks naturally have about a kind of home they only see stereotyped on TV.

The elderly and disabled may not consistently rock the world of social media, but, this little-blogged-about demographic deserves our attention,  our willingness to share their stunning stories of wisdom, endurance, and daring.

Only then can we “write” a stereotype wrong.